Year of
Wonders --by Geraldine
Brooks
Geraldine
Brooks's Year of Wonders describes the 17th-century plague that is
carried from London
to a small Derbyshire village by an itinerant tailor. As villagers begin, one
by one, to die, the rest face a choice: do they flee their village in hope of
outrunning the plague or do they stay? The lord of the manor and his family
pack up and leave. The rector, Michael Mompellion, argues forcefully that the
villagers should stay put, isolate themselves from neighboring towns and
villages, and prevent the contagion from spreading. His oratory wins the day
and the village turns in on itself. Cocooned from the outside world and ravaged
by the disease, its inhabitants struggle to retain their humanity in the face
of the disaster. The narrator, the young widow Anna Frith, is one of the few
who succeeds. With Mompellion and his wife, Elinor, she tends to the dying and
battles to prevent her fellow villagers from descending into drink, violence,
and superstition. All is complicated by the intense, inexpressible feelings she
develops for both the rector and his wife. Year of Wonders sometimes
seems anachronistic as historical fiction; Anna and Mompellion occasionally
appear to be modern sensibilities unaccountably transferred to 17th-century
Derbyshire. However, there is no mistaking the power of Brooks's imagination or
the skill with which she constructs her story of ordinary people struggling to
cope with extraordinary circumstances. --Nick Rennison, Amazon.co.uk --This
text refers to an out of print or unavailable edition of this title.
From Publishers Weekly-----Discriminating readers who view the term
historical novel with disdain will find that this debut by praised journalist
Brooks (Foreign Correspondence) is to conventional work in the genre as a
diamond is to a rhinestone. With an intensely observant eye, a rigorous regard
for period detail, and assured, elegant prose, Brooks re-creates a year in the
life of a remote British village decimated by the bubonic plague. Inspired by
the actual town commemorated as Plague
Village because of the
events that transpired there in 1665-1666, Brooks tells her harrowing story
from the perspective of 18-year-old Anna Frith, a widow with two young sons.
Anna works as a maid for vicar Michael Mompellion and his gentle, selfless
wife, Elinor, who has taught her to read. When bubonic plague arrives in the
community, the vicar announces it as a scourge sent by God; obeying his
command, the villagers voluntarily seal themselves off from the rest of the
world. The vicar behaves nobly as he succors his dwindling flock, and his wife,
aided by Anna, uses herbs to alleviate their pain. As deaths mount, however,
grief and superstition evoke mob violence against "witches," and
cults of self-flagellation and devil worship. With the facility of a prose
artist, Brooks unflinchingly describes barbaric 17th-century customs and
depicts the fabric of life in a poor rural area. If Anna's existential
questions about the role of religion and ethical behavior in a world governed
by nature seem a bit too sophisticated for her time, Brooks keeps readers glued
through starkly dramatic episodes and a haunting story of flawed, despairing
human beings. This poignant and powerful account carries the pulsing beat of a
sensitive imagination and the challenge of moral complexity. (Aug. 6)Forecast:
Brooks should be a natural on talk shows as she tells of discovering the town
of Eyam, in
Derbyshire, in 1990, and her research to unearth its remarkable history. With
astute marketing, Viking will have a winner here. BOMC, Literary Guild and QPB
featured alternates; 8-city author tour; rights sold in England, France,
Germany, Israel, the Netherlands,
Norway, Spain and Sweden.
Copyright 2001 Cahners Business Information,
Inc.
From School Library Journal-------Adult/High School-Brooks's title is based on
the actual lead-mining village
of Eyam, Derbyshire,
whose inhabitants voluntarily quarantined themselves for a year when stricken
with Bubonic Plague in 1665-1666. Anna Frith is widowed at 18 by a mining
accident and is the mother of two young boys. Through her recollections,
readers live through the year as her endurance and abilities are sorely tested.
Anna works for the new young minister's wife, who teaches her to read and
becomes more of a companion than a mistress. At her employers' suggestion, Anna
takes in a boarder to help meet expenses. The man is a tailor and when a
shipment of fabrics, apparently flea infested, is delivered from London-the plague is
suddenly upon them. The minister convinces his flock to make the supreme
sacrifice and arranges for food and supplies to be delivered to the outskirts
of the hamlet. The story is a portrait of the best and worst in people faced
with sorrow, terror, and death. Some succumb to madness, others display
cowardice and hysteria, and a few look for solutions in murder or self-mutilation.
Through it all, however, Anna grows in strength, abilities, and understanding
as she faces the loss of her children, her friends, and her innocence, and
takes on the tasks of an ever-dwindling populace. This is an excellently
portrayed study of the wonder of human courage.
Carol DeAngelo, Kings Park Library, Burke,
VA
From Library Journal
In 1666 the bubonic plague appeared in a small mountain village in England,
where it took hold and spread. In a novel and courageous effort to keep the
disease from extending beyond the village, the local minister and his
congregation took a sacred oath to quarantine themselves until the illness was
spent. Brooks has used this piece of history as a framework for her fictional
account of what it might have been like to live through the event. Told by Anna
Frith, the housemaid for the minister and his wife, this is a tale of
devastation, grief, and madness as well as the attempts, both medicinal and
spiritual, by the townspeople to combat the disease. The author has captured
the various human responses to grief, fear, hopelessness, and exhaustion.
Characters are well drawn, showing both the good and evil sides of human
nature. Compelling and believable, the unabridged version is masterfully read
by Josephine Bailey; the abridged set is equally well narrated by Stina
Nielsen. Recommended. Joanna M. Burkhardt, Coll. of Continuing Education Lib.,
Univ. of Rhode Island, Providence
Copyright 2002 Reed Business Information, Inc. --This
text refers to an out of print or unavailable edition of this title.
From The
New Yorker
In 1665, the intense young pastor of a plague-stricken Derbyshire village
persuades his parish to quarantine itself from the outside world. This selfless
decision leads to the deaths of two-thirds of the inhabitants but saves the
surrounding towns, as it did in the case of the historical village that
inspired the tale. The novel glitters with careful research into such arcana as
seventeenth-century lead-mining, sheep-farming, and, of course, medicine, but
its true strength is a deep imaginative engagement with how people are changed
by catastrophe. Fear and despair fan the usual petty rivalries of village life
into murderous hatreds, and the community fragments just when it should be
pulling together. A rare few—including the narrator, a young widow who is a
servant of the pastor—discover new strengths and abilities. When the epidemic
is over, a year later, the survivors are too weary, damaged, and numb to
rejoice.
Copyright © 2005 The
New Yorker
From AudioFile
Portraying goodness over the length of any performance is a dicey proposition.
It so easily becomes cloying and saccharine, sometimes to the point of
distracting from the story itself. That Stina Nielsen avoids such a pitfall it
a testament to her talent. Brooks's novel follows a year of the plague through
the experience of Anna Frith, a housemaid and the book's unlikely heroine.
Nielsen imbues Anna with such honest passion and generosity that the character
maintains our sympathies throughout a story steeped in loss, betrayal, and
faith. M.O. © AudioFile 2001, Portland, Maine-- Copyright © AudioFile,
Portland, Maine --This text refers to an out
of print or unavailable edition of this title.
-----Arthur Golden, author of Memoirs of a Geisha
...leaves us with the memory of vivid characters struggling in timeless human
ways with the hardships confronting them-...and engaging story. --This text refers to an out of print or unavailable
edition of this title.
-----Sena Jeter Naslund, author of Ahab's Wife; Or, The Star-Gazer
An unforgettable read, this splendid novel enriches our human memory of both
despair and courage. --This text refers to an out
of print or unavailable edition of this title.
Book Description----When an infected bolt of cloth carries plague from London to an isolated
village, a housemaid named Anna Frith emerges as an unlikely heroine and
healer. Through Anna's eyes we follow the story of the fateful year of 1666, as
she and her fellow villagers confront the spread of disease and superstition.
As death reaches into every household and villagers turn from prayers to
murderous witch-hunting, Anna must find the strength to confront the
disintegration of her community and the lure of illicit love. As she struggles
to survive and grow, a year of catastrophe becomes instead annus mirabilis, a
"year of wonders."
Inspired by the true story of Eyam, a village in the rugged hill country of England, Year
of Wonders is a richly detailed evocation of a singular moment in history.
Written with stunning emotional intelligence and introducing "an inspiring
heroine" (The Wall Street Journal), Brooks blends love and
learning, loss and renewal into a spellbinding and unforgettable read.
-----"The novel glitters . . . A deep imaginative engagement with how
people are changed by catastrophe." (The New Yorker)
-----"Year of Wonders is a vividly imagined and strangely consoling
tale of hope in a time of despair." (O, The Oprah Magazine)
---"Brooks proves a gifted storyteller as she subtly reveals how
ignorance, hatred and mistrust can be as deadly as any virus. . . . Year of
Wonders is itself a wonder." (People )
From the Back Cover
"Geraldine Brooks's Year of Wonders is a wonder indeed: a marriage
of language and story unlike anything I have ever read. The novel gives the
reader a remarkable glimpse into a 17th century horror, but does so with both
compassion and exuberance. Read it for the inventiveness of the language alone
-- a genuine treat." (Anita Shreve, author of The Pilot's Wife and The
Last Time They Met) "Geraldine Brooks'
impressive first novel goes well beyond chronicling the devastation of a
plague-ridden village. It leaves us with the memory of vivid characters
struggling in timeless human ways with the hardships confronting them-and the
memory, too, of an elegant and engaging story." Arthur Golden, author of Memoirs
of a Geisha "I honestly cannot recall the last time I read a novel as
riveting, haunting, and authentically rendered as Year of Wonders. This
book is astonishing, a small wonder itself." (Chris Bohjalian, author of Midwives
and Trans-Sister Radio) "Witch-like, Geraldine Brooks transports
the reader to a small English village of the 1660s where over half the
population is succumbing to the plague. As alive as a Breugel painting, Year
of Wondersoffers the vitality and variety of lives strangely like our
own--precious and passionate. An unforgettable read, this splendid novel
enriches our human memory of both despair and courage."(Sena Jeter
Naslund, author of Ahab's Wife; or, the Star-Gazer) --This text
refers to an out of print or unavailable edition of this title.
About the Author------Geraldine Brooks is the author of two acclaimed
works of nonfiction, the bestselling Nine Parts of Desire: The Hidden World
of Islamic Women and Foreign Correspondence: A Penpal's Journey from
Down Under to All Over. She is also a former war correspondent whose
writing has appeared in the Wall Street Journal, New York Times,
and Washington Post.